| Clay Allison amused himself shooting up small towns and dancehalls, and making gentlemen dance barefoot to the accompaniement of his bullets |
Clay Allison’s “trigger finger was the busiest in
the early 80s,” wrote the Albuquerque
Morning Journal. “His record was twenty-one dead men, whose graves were scattered from Dodge City to Santa Fe.”
The
article said, “Clay spent his time amusing himself shooting up small towns and
dance halls, and making gentlemen dance barefoot to the accompaniment of his
bullets.”
One
of Allison’s first kills was a desperado named Chunk. They met up at Red River
Station in New Mexico on January 7, 1874. Chunk
was out to get Allison because Clay had killed his uncle.
The
two men sat on opposite sides of the dinner table, each man itching for an
opportunity to draw. Chunk made the first move. He dropped his knife on the floor and reached below the table to grab it.
Allison didn’t miss a beat—he pulled his pistol and let Chunk have it—right
between the eyes. The Evening Star
said, “A little red spot between Chunk’s eye showed where the bullet had
entered, and the man, swaying from side to side, bent gradually over and soon
was perfectly still, with his face buried in the dish.”
Witnesses
said Allison went on with his dinner as
if nothing had happened. When he finished eating, he walked out, mounted his
horse, and rode away.
Marshal
Sam Durnin, of Pecos County, Texas, learned a lesson he’d never forget. Clay
Allison was loyal to his friends—dead or alive.
Durnin
killed one of Allison’s friends in a “honakatonk” melee. When Clay learned
about it, he vowed to show the marshal a thing or two. Two months later, things
came to a head in Curt Munson’s saloon. Durnin wasn’t taking any chances. He
hid in a back room of the saloon for a full half-hour, keeping Allison covered
with his Winchester. Finally, Durnin walked up to Allison and pointed a .45 at
his heart when he couldn’t take the suspense any longer.
| Clay Allison dragged Marshal Durnin from behind by both ears, knned him forward and out of the saloon, and prodded him through the streets of Durango |
“Like the dab of a cat’s paw, Allison reached out and caught the wrist of Durnin’s hand that held the gun. A man of bull’s strength, he leaped over the table and twisted that wrist of Durnin’s until the marshal had to drop the gun to the floor and gasp with pain.”
Allison
kicked the gun out of the marshal’s reach as he snatched his other gun out of
its holster. “Then Allison put his knee in the small of the helpless marshal’s
back, grabbed him from behind by both ears, kneed him forward and out of the
saloon, and in that way, he prodded
Marshal Sam Durnin, a bad man himself, all over the streets of Durango.”
The
Washington Evening Star said Durnin
survived the night, but the humiliation he suffered that day dogged him for the
remainder of his life.
Another
time in Las Animas, Allison was drunk and whirling his revolver around his
finger at a dancehall. For one reason or another, he got a bug up his butt and screamed for everyone to take their
hats off. Most men complied, knowing Allison’s reputation for being a homicidal
maniac when drinking.
Deputy
Marshal Mace Bowman wasn’t in the mood to
give in so easily. He told Clay, “All the Allisons in Tennessee couldn’t make
him take his hat off.”
Things
got so quiet after that; you could’ve
heard a mouse fart. Allison sipped his whisky as the crowd edged away.
“Let’s
lay our guns on the bar and take our places across the room,” Allison
challenged Mace. “At the word, each man goes for his gun. The one that doesn’t
get there first is out of luck.”
They
laid their revolvers on the bar with muzzles crossed.
At
the word “Bowman sprang across the room like a panther,” said the report in the
Yorkville Enquirer. Allison found the
muzzles of both revolvers in his face.
“How
do you like the color of it?” asked Bowman.
| Clay Allison played the Mexican, giving Pancho plenty of time to think he could make his move. Seconds later, Allison reached for his guns. Two shots rang out. |
“It’s all right, Mace,” said Allison, throwing up his hands. “You’re the best man.”
That
was the end of it. Both men had another drink and walked away.
Like most Western badmen,
many good things and many bad things were said about
Clay Allison—most of them published after his death, so he had no say in setting the record straight.
New
Mexico cattleman Frank Councelle said Clay Allison was “one of the worst men
that ever saddled a cayuse in the Pecos country of Texas.” The Yorkville Enquirer took Allison’s side,
writing, “There was a long list of casualties to Clay Allison’s pistol, but
they all occurred in face-to-face encounters, with no working up of the drop or
any unfair advantage on his part.”
By
all accounts, Allison was a good-hearted
man, a steady friend, and a homicidal drunk. Smart men—who wanted to live,
would steer clear of Allison when he was on a bender.
On
election day in Cimarron, Allison hung around the polls all day. When the polls
closed, he began drinking with a group of fellows at Lambert’s barroom. Allison
pulled his revolver and bashed a man named Caton over the head. “No
explanations were asked or offered.” The man carried
out was a bloody mess.
In
1878, Allison took down a Mexican named Pancho in the same bar. The two men
stood in a corner. Pancho held his sombrero in his hand in front of him while
he talked to Allison. While he talked, Pancho was inching his hand down towards
his pistol. Allison played the Mexican, giving Pancho plenty of time to think
he could make his move. Seconds later, Allison reached for his guns. Two shots
rang out. The lights in the barroom went dark during the fight and were never relit. Allison was seen to
get on his horse and ride away. Everyone else headed home.
When
Lambert arrived at the bar the following day, he noticed Pancho asleep in a
chair. Or, at least, he thought he was asleep. But when he tried to wake him,
Lambert discovered the Mexican was dead—with one bullet in his head and another
bullet in his heart.
Another
man said to have met his maker at the muzzle of Clay Allison’s revolver was
Charles Faber, a city marshal of Las Animas. The marshal dropped Allison’s
brother with a shotgun, and before he could make his getaway, Clay let him have
it. And, as if he hadn’t made his point by killing the man, he dragged the dead
body over to where his brother lay bleeding and told him, “Here’s the fellow
that shot you.”
As
he aged, Allison became more philosophical. The Anaconda Standard said he met an old enemy in town, and rather than
take off shooting, they drank and talked about politics and cattle as they
toasted each other. Then, finally, the conversation turned to baptism. Although
Allison said he favored sprinkling, the other man insisted immersion was the
best method to be saved. Then he called Allison some names and reached for his
pistol.
| For most of his life, Clay Allison lived by the gun, driven by liquor to gunplay, misdeeds and murder |
“Perhaps Allison was not posted on theological questions,” said the reporter, but he “was adept with a .45, and he killed his antagonist before he had his gun in a position to shoot.”
Not long after that incident,
Allison found religion of a sort.
He
married the widow McSwayne, who had a large spread about twenty miles outside
Cimarron. He gave up drink and gunplay and became a respectable cattleman from
then on.
Newspaper
accounts after that talk about his business acumen and how he held out for this
or that price. The word is he soon had a herd of over ten thousand cattle,
making him one of the wealthiest ranchers thereabouts.
Clay
Allison died four or five years later after falling from a freighter’s six-mule
wagon. The wheels passed over his head and crushed the life out of him.
The St. John’s Herald
pegged Allison best when they quipped, “Clay was a good friend and a bad
enemy.”
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