Waller started his career in 1883 with the play Uncle Dick’s Darling and quickly moved up the theatrical ladder. By the late 1880s, he was appearing in productions at London’s most respected theaters, including roles in The Three Musketeers and The Prisoner of Zenda. He became associated with Henry Irving’s Lyceum Theatre and performed with Herbert Beerbohm Tree’s company.
Waller made a name for himself with his Shakespearean work—playing Romeo, Othello, and Henry V, among others. Reviewers often praised his boldness and vocal strength, though some critics noted a tendency toward melodrama. One review called his Romeo “undeniably magnetic, if slightly too eager with the sword.” Still, he won audiences over with his energy and passion.
Though respected in classical roles, Waller’s real popularity came from romantic adventure plays like Monsieur Beaucaire and Brigadier Gerard. These roles combined his knack for physicality, good looks, and charisma. Female fans loved him. A fan club called the “K.O.W. Brigade” (Keen on Waller) sprang up in the early 1900s, with women reportedly attending multiple performances just to see him cross the stage in uniform.
Waller dipped a toe into silent film with a 1915 version of Brigadier Gerard. He died that same year of pneumonia while on tour with the play Gamblers All.
Unlike many of his contemporaries, Waller kept a low profile offstage. No major scandals attached to his name, and he remained married to actress Florence West throughout his career.
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